






Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
Direction
Resnais at 87, still reinventing cinema like it's 1959.
Score
Mark Snow's jazz erupts whenever logic should intervene.
Editing
Reality and fantasy blur through deliberate, cheeky cuts.

Director
Alain Resnais
Trivia, insights & behind the scenes