






A 50-minute séance where black radical minimalism possesses your ears and won't let go.
The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.
Sound
Eastman's compositions as living, breathing political force
Direction
Otolith Group's radical 'watching in the key of listening'
Cinematography
Visual silence that forces you to hear differently
Director
Kodwo Eshun
Trivia, insights & behind the scenes