A film so cursed, even Satan couldn't keep copies alive.
With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.
Direction
Pappier's doomed ambition outlived three governments.
Production
Self-financed passion project that destroyed a career.
Director
Ralph Pappier
António Vilar
Segmento "La venganza"
Tilda Thamar
Segmento "La venganza"
George Rigaud
Segmento "La codicia"
Luis Arata
Segmento "El perdón"
Irma Córdoba
Segmento "La traición"
Pedro Maratea
Segmento "La traición"
Pedro Quartucci
Segmento "El remordimiento"
Norma Giménez
Segmento "La violencia"
Augusto Codecá
Segmento "El egoismo"
Ricardo Passano
Segmento "El amor"
Nino Persello
Segmento "La frustración"
Margarita Corona
Trivia, insights & behind the scenes
AR
