






In Germany, as graduate student Katie Armstrong researches cannibal killer Oliver Hagen for her thesis, she becomes obsessed with her subject and ultimately plunges into a lifestyle similar to Hagen's and the thousands of people like him.
Acting
Kretschmann's Hannibal-esque restraint vs. Russell's unraveling.
Direction
Weisz treats exploitation like art school thesis — uncomfortably effective.

Director
Martin Weisz
Trivia, insights & behind the scenes