Zidane's head wasn't the only thing exploding in France '98.
The French team —on home soil— was always going to be in contention for the title of World Champion. It did not disappoint its fans. France '98 was not short on drama or controversy, in equal measure and this is captured most effectively on this film. The 1998 film was shot on Super 16 mm film and includes the most complete and extensive coverage ever, with each match being filmed from more angles than any previous film.
Cinematography
Super 16mm grain gives every goal cinematic weight.
Sound
Crowd noise mixed like a blockbuster score.
Director
David Wooster
Trivia, insights & behind the scenes
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